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Theodore Robinson Woman in a White Cap oil painting


Woman in a White Cap
Painting ID::  4331
Theodore Robinson
Woman in a White Cap
1884

   
   
     

Theodore Robinson From the Hill,Giverny (nn02) oil painting


From the Hill,Giverny (nn02)
Painting ID::  23056
Theodore Robinson
From the Hill,Giverny (nn02)
c.1889 Oil on canvas 16x25 1/2" Terra Museum of American Art,Chicago

   
   
     

Theodore Robinson Gathering Plums (nn02) oil painting


Gathering Plums (nn02)
Painting ID::  23057
Theodore Robinson
Gathering Plums (nn02)
1891 Oil on canvas 22x18"

   
   
     

Theodore Robinson La Debacle (nn02) oil painting


La Debacle (nn02)
Painting ID::  23058
Theodore Robinson
La Debacle (nn02)
1892 Oil on canvas. 18x22"

   
   
     

Theodore Robinson Boats at a Landing (nn02) oil painting


Boats at a Landing (nn02)
Painting ID::  23059
Theodore Robinson
Boats at a Landing (nn02)
1894 Oil on canvas 18 1/2x22"

   
   
     

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     Theodore Robinson
     1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.

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